Note that compression of the entire program (produced by low thresholds) tends to sound less natural at high ratios. ![]() Ratios of 6:1 and higher effectively prevent outputs levels from much exceeding the threshold (assuming the Output Gain is set to 0). High thresholds generally are used for limiting program levels overall. Higher ratios with low thresholds will provide leveling for instruments and vocals. ![]() The 166's Ratio and Threshold controls can produce a wide variety of dynamic-range-reduction effects, from gentle taming of overall dynamics to limiting of peaks to squashing all dynamics.įor example, at low compression ratios, a very low Threshold setting can be used to reduce gently the overall dynamic range of a program. ![]() The purpose of a compressor is to reduce the dynamic range of a program and give you control over its dynamics.
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